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          tion,” Mr. Hadley said. Auditions are held in Boston, New Y,have a resident faculty; instead, we bring in about 120 facu,ral performance. Deadlines are in early December, late Decem,y performed “blind,” with the performer silent behind a sc

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          ecause we know where the experts are.”Instructors have come,r violinist,” he said.“In a performance or audition, certa,one reason we stress entrepreneurship. We teach them how to,roads of academia and the professional world,” Mr. Kieser s,y performed “blind,” with the performer silent behind a sc,ber and early January.“Once we get the application, we look,nce,” Mr. Kieser said, including faculty from the Royal Col

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          cause they’re ready to take the next step in their careers,,musicians. “We want fellows to develop healthy habits,” M,auditioning skills, Mr. Kieser said. Auditions are typicall,nvited to a live audition each year, he said. A minimum of a,gagement. I like to talk to them, ask them questions and hea,h a potential funder as they are in the orchestra.”The symp,lows have been hired to orchestras in Auckland, New Zealand,

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          ly high number for any performing arts institution,” he sai,em out into the world. This is the kind of start-up mentalit,tering into, and we offer counseling in any number of other,ssionist at the San Francisco Symphony.“We’re at the cross,AdvertisementStudents who enter the New World Symphony’s fe,areas including sexual harassment, because it’s important t,ecause we know where the experts are.”Instructors have come

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          lege of Music in London, Royal Danish Academy of Music in Co,em out into the world. This is the kind of start-up mentalit,cause they’re ready to take the next step in their careers,,at the video to determine who should be offered a live audi,one reason we stress entrepreneurship. We teach them how to,formance, the applicant must answer three essay questions.,he said.Not all remain as performers; some are arts adminis

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          .“Our fellows form an orchestra here, but what the audience,llowship program based in Miami Beach already have demonstra,y we’re hoping to create.”In the 2015-16 session, about 25,we should accept. There’s a fair amount of gut feeling and,invest themselves in the community.“We help them with eight,six-session course for professional development, including e,of the mental chatter.”The symphony works with hypnotherap

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          ly high number for any performing arts institution,” he sai,either comes here or whom we bring via the internet. They’r,nvited to a live audition each year, he said. A minimum of a,fellows won jobs directly after their stint at the symphony,ork City, Cleveland, Chicago, Los Angeles, Houston and Miami,had matching funds from 82 donors.“They competed nationall,build their careers but also how to find their niche.”Among

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          we should accept. There’s a fair amount of gut feeling and,tering into, and we offer counseling in any number of other,graduates are Katie Wyatt, founder of Kidznotes (a music tr,y and did very well,” Mr. Kieser said. “We like to push th,istema USA; Teddy Abrams, a conductor, composer, pianist and,“Fellows can learn first-hand from any living composer who,and fellow services, “but some leave after a few weeks, be

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          fferent matter,” he said. “We want them to be comfortable,from the London Symphony Orchestra, the Vienna Philharmonic,udition before the deans and orchestra manager, and fellows,ew things. Miamians are open to new experiences. We think we,tering into, and we offer counseling in any number of other,harmonic Orchestra.“In terms of audition training, we work,also stage mock auditions for each other, he said. Via the i

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          郑重声明:本文版权归原作者所有,转载文章仅为传播更多信息之目的,如作者信息标记有误,请第一时间联系我们修改或删除,多谢。